Actually, it’s better to specify, I want to speak about the new style-artist couple of the season: Lady Gaga and Alexander McQueen. The Plato’s Atlantis Spring Summer 2010 fashion show was the matchmaker of this artistic engagement. In his Plato’s Atlantis collection Alexander McQueen staged a futuristic interpretation of the mythical city of Atlantis. Women look like aliens, their.
Plato's Atlantis, his last fully realized collection, was inspired by the story of the lost city of Atlantis, which according to the classical philosopher Plato was submerged following a volcanic eruption over 2,000 years ago. McQueen's Darwinian preoccupation with survival, in the face of rising seawater, offered an otherworldly narrative of adaption on the part of the human race by reversion.McQueen introduced a new type of shoe called the armadillo which was 12 inches high and created a kind of armor over the models’ feet (Fig. 7). Plato’s Atlantis was a show far ahead of its time. McQueen was one of the first to use 3D-printing as a part of his show; for example, the shoes in figure 8 are 3D-printed. The show was also one of.The Plato’s Atlantis collection was inspired by the story of the lost city of Atlantis. According to the classical philosopher Plato, the city was submerged in seawater following a volcanic eruption more than 2,000 years ago. In a process of reverse-evolution, the human race regressed to an amphibian state, creating a glistening new species that McQueen brought to life on the runway. This.
The Atlantis story is clearly a parable: Plato's myth is of two cities which compete with each other, not on legal grounds but rather cultural and political confrontation and ultimately war. A small but just city (an Ur-Athens) triumphs over a mighty aggressor (Atlantis). The story also features a cultural war between wealth and modesty, between a maritime and an agrarian society, and between.
Alexander McQueen asymmetric draped sleeveless blazer Alexander Mc Queen was a style visionary who seamlessly fused expert tailoring with an avant-garde aesthetic. This blue silk and wool blend asymmetric draped sleeveless blazer from Alexander Mc Queen features structured shoulders, peaked lapels, a sleeveless design, a concealed front fastening, a front flap.
Dec 2, 2015 - Alexander McQueen Spring 2010 - Plato's Atlantis. Dec 2, 2015 - Alexander McQueen Spring 2010 - Plato's Atlantis. Stay safe and healthy. Please wash your hands and practise social distancing. Check out our resources for adapting to these times. Dismiss Visit.
Alexander McQueen’s spring 2010 collection Plato’s Atlantis, the last he would complete before his death, consisted of thirty-six unique circle-engineered prints. He described it as, “Darwin’s theory of evolution in reverse.” McQueen and the members of his house began perfecting the digital prints on his garments at a level of haute couture dress making. McQueen, a master draper.
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Location hypotheses of Atlantis are various proposed real-world settings for the fictional island of Atlantis, described as a lost civilization mentioned in Plato's dialogues Timaeus and Critias, written about 360 B.C. In these dialogues, a character named Critias claims that an island called Atlantis was swallowed by the sea about 9,200 years previously. According to the dialogues, this story.
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Alexander McQueen. Alexander McQueen is our go-to brand for clothing, shoes, and accessories that are equal parts elegant and edgy. Whether it’s chunky black boots, softly ruffled dresses, or a statement skull-closure clutch, this is the label for imaginative designs that tell a narrative through impeccable construction and luxury materials.
Image: Alexander McQueen Autumn 2009 Fashion Show Spring 2010: Plato’s Atlantis Where to start? The now-iconic 10-inch Armadillo shoes, the out of this world digital prints or the fact that this.
The venue was the setting for Alexander McQueen’s SS10 Plato’s Atlantis show, inspired by the idea of a time when humanity, having wreaked havoc on earth, returns to the oceans. In a darkened space, the audience watched as snakes slithered over the projected figure of model Raquel Zimmermann, before, out of the shadows, two imposing mechanical cameras sprung to life. As he had with his.
His latest collection entitled Plato’s Atlantis was created to cast an apocalyptic forecast of the future ecological meltdown of the world. With humankind made up of creatures that evolved from the sea, McQueen used fashion to demonstrate how man may be heading back to an underwater future as the ice cap dissolves. His fixation with intricate reptilian patterns is not new, but looking at his.
PLATO’S ATLANTIS. In the interview before the show with Alexander McQueen, the designer stated his purpose for placing the show live online. He admitted enjoying collaborations with SHOWstudio, and also claimed that he wanted the show to be pure to the audience, to be seen through their own eyes rather than the eyes of the commercial industry and media.
He made this one for the 2010 collection, Plato’s Atlantis. Here we have Sarah Burton—who was McQueen’s head designer for fourteen years—talk about the collection. Sarah Burton: He was interested in this concept of hybrid. With those tailored pieces, specifically; they had tailored arms, but the body was jersey. So there’s this weird sort of hybrid and juxtapositioning of different.
On October 5th, 2009, Alexander McQueen premiered Plato’s Atlantis, a show that embodied innovation from its very inception and was the dawning of a new era of fashion. Built from an already unique premise, the Plato’s Atlantis show itself was a milestone in fashion history, all while becoming intertwined with the burgeoning fame of pop legend Lady Gaga and pioneering the consumption of.